Using Rob Nixon’s, Slow Violence and the Environmentalism of the Poor, for historical reading of Arundhuti Roy’s God of Small Things

“Slow violence” is the idea that violence (particularly environmental damage and the poor disproportionately hurt by this damage) which builds up incrementally is easier to ignore due to temporal diffusion. In the face of immediate economic gains, the violence and the victims are forgotten and essentially erased from collective memories. Because the damage is less visible than the spectacle of a cataclysmic disaster, Nixon suggests that slow violence only postpones an inevitable catastrophe that is accruing.

 

Some themes/examples in the book that relate to Nixon’s ideas. I would suggest choosing only one as plenty to talk about in a short essay.

Domestic abuse, post-traumatic stress (3 Nixon).

This can relate to the domestic abuse that Ammu sees between Pappachi and Mammachi. Also, the trauma that Estha experiences, and then both the twins.

 

Memory and memory loss due to temporal distance and abstraction (Nixon 41).

The twins’ separation and what this does to their psychic bond and their shared traumatic memory of seeing Velutha die. How he is forgotten among the “Love Laws” carried out in the History House.

There’s a disconnect between all these experiences (including between the abuse in each generation) like an active effort to forget or not see these events.

As children, their imagination allows for abstractions that distance them from the trauma (ie. Pretending non-existent Velutha’s twin brother died, or how their positive reaction to The Sound of Music movie lessened the blow of slowly understanding their inferiority to their half-white cousin Sophie Mol).

 

The difficulty is representing slow violence, and using narrative strategies to less the invisibility or temporal distances (2). Also, how “writer-activists” can expose injustices and help them stay relative in the face of growing speed with technology (42). Nixon actually quote’s Roy on the first page of his book, she’s known to be one such writer-activist.

 

Other texts that this novel can relate to:

The Buried Giant– topics of memory/“uneven memory loss” (Nixon 41). This can also work well with Bhabha and how to locate identity.

Sui Sin Far’s essay– hybrid identities (if you would like to use Bhabha instead). The twins identities are an obvious choice, but also Baby Kochamma can be examined for her Anglophilia, unrequited love for a pastor, her gardening habits, etc.

The Brief and Wondrous Life of Oscar Wao– Nixon’s thoughts on the writer activist’s role (could fit a genre or historical context question).

Invisible Man– a lot of topics can relate to this trauma, violence, visibility

Foucault– as secondary theory. Topics of visibility and violence tie in with Nixon.

Culler’s article “Why Lyric?” and/or Seo-Young Chu’s definition of the lyric – There are a lot of lyrical moments in the novel. Could also be used with one of the poems on the list. (If using one of the Brooks’ poems, can possibly focus more on the topic of slow violence vs explicit violence)

 



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